Friday, October 27, 2006
Thursday, October 12, 2006
Fashion: the Mode & DNA
I just saw a great exhibition at the LACMA (Los Angeles County Museum of Art) - "Breaking the Mode"- the pieces were great and no where near the commercial fabrics we see on a regular basis or the ultra magical haute couture wear that would otherwise be expected to be on display. To me it seemed as though a geometric theme, or rather genius, defined the pieces within the exhibition. My favorite contrasts were the particular pieces displayed in two different modes: one on a hanger and the other on the shape of the female body. It was clear; the pieces had a life of their own. The exhibition included designers that have challenged the traditions of shapes and forms in fashion.
There is another great exhibition on fashion across the pond. "Fashion DNA" is currently in process at the Nieuwe Kerk Museum in Amsterdam until October 22nd. Here the theme is Identity; the role of fashion on human identity, also known as human nature. I would go if I had the vacation days.
There is another great exhibition on fashion across the pond. "Fashion DNA" is currently in process at the Nieuwe Kerk Museum in Amsterdam until October 22nd. Here the theme is Identity; the role of fashion on human identity, also known as human nature. I would go if I had the vacation days.
Sunday, October 01, 2006
Wednesday, September 20, 2006
East Coast perspective on West Coast Cultural Elitism
Must read: Washington Post article about architectural differences and basically cultural snobbery between the OC and LA: Rhapsody in Orange County
The piece compares concert halls, architects (Pelli and Gehry) and the nouveau riche's insecurities and contributions to the art world.
Here are some of my favorite excerpts:
"Visitors from Los Angeles, the older and more glam neighbor to the north, scoffed with condescension...what would you expect from Orange County, an insufferably vulgar place of rich old men and trophy wives and idle youth bored with dropping C-notes in the Louis Vuitton shop? It's a wannabe place."
"But even if the two buildings are in different leagues, it's worth comparing them, and what they tell us about American cultural life. You might say that Pelli's [in the OC] hall and Gehry's hall [in LA] are bookends on a continuum of American cultural life. One building is an efficient space for a young orchestra, the other a destination venue for an institution that has effectively worked its way into the top ranks of American musical life. Pelli's hall marks an exuberant stage of naive youth, while Gehry's suggests the self-confidence of a cultural organization that has long outgrown the kind of civic bluster one heard in Orange County."
And let us not forget:
"Almost every institution in the rarefied world of American High Culture was built by exactly the same forces that have come together in Orange County's new concert hall: big bucks from the nouveau riche and a huge cultural inferiority complex."
Car culture turning up the need for architectural symbols:
"Orange County is building new cultural institutions because traffic has choked off its access to old ones."
All that being said:
"[While] Gehry hall, despite its dramatic exuberance, exudes a kind of Apollonian calm...Pelli's concert hall captures the energy and brusque pragmatism of art in the age of unsentimental capitalism."
The piece compares concert halls, architects (Pelli and Gehry) and the nouveau riche's insecurities and contributions to the art world.
Here are some of my favorite excerpts:
"Visitors from Los Angeles, the older and more glam neighbor to the north, scoffed with condescension...what would you expect from Orange County, an insufferably vulgar place of rich old men and trophy wives and idle youth bored with dropping C-notes in the Louis Vuitton shop? It's a wannabe place."
"But even if the two buildings are in different leagues, it's worth comparing them, and what they tell us about American cultural life. You might say that Pelli's [in the OC] hall and Gehry's hall [in LA] are bookends on a continuum of American cultural life. One building is an efficient space for a young orchestra, the other a destination venue for an institution that has effectively worked its way into the top ranks of American musical life. Pelli's hall marks an exuberant stage of naive youth, while Gehry's suggests the self-confidence of a cultural organization that has long outgrown the kind of civic bluster one heard in Orange County."
And let us not forget:
"Almost every institution in the rarefied world of American High Culture was built by exactly the same forces that have come together in Orange County's new concert hall: big bucks from the nouveau riche and a huge cultural inferiority complex."
Car culture turning up the need for architectural symbols:
"Orange County is building new cultural institutions because traffic has choked off its access to old ones."
All that being said:
"[While] Gehry hall, despite its dramatic exuberance, exudes a kind of Apollonian calm...Pelli's concert hall captures the energy and brusque pragmatism of art in the age of unsentimental capitalism."
Monday, September 18, 2006
Monday, September 11, 2006
Design & Political Aid
My new building was designed with attached parking, how convenient. The parking spaces are somewhat difficult to get into on a first try, but at least I do not have to worry about finding a parking spot every night on the streets.
I have learned that even though most apartment buildings in West Hollywood have incorporated parking amenities to their residential structures, parking is still in high demand; and on certain streets it is more than just a commodity, you must have a parking permit and a parking permit can only be obtained if you legally own or lease living quarters in the appropriate parking district. I know it is nonsense, but this is the result of living in a capitalist society that is run on democratic principles and that constantly pretends to offer fair solutions that really only translate into adquiring payments for the sake of convenience.
It seems to me that at one point a group of people must have felt entitled to have more convenience no matter the price and then everyone else was manipulated to comply. I don't want to inconvenience my guests so I was suckered into using the beauracractic establisment and paid for parking permits.
I have learned that even though most apartment buildings in West Hollywood have incorporated parking amenities to their residential structures, parking is still in high demand; and on certain streets it is more than just a commodity, you must have a parking permit and a parking permit can only be obtained if you legally own or lease living quarters in the appropriate parking district. I know it is nonsense, but this is the result of living in a capitalist society that is run on democratic principles and that constantly pretends to offer fair solutions that really only translate into adquiring payments for the sake of convenience.
It seems to me that at one point a group of people must have felt entitled to have more convenience no matter the price and then everyone else was manipulated to comply. I don't want to inconvenience my guests so I was suckered into using the beauracractic establisment and paid for parking permits.
Monday, August 28, 2006
WeHo (aka West Hollywood)
I moved from one saturated housing market to another saturated housing market, oh yes, I did this on purpose.
As a femme of le monde my standards are higher than most; I want to live in West Hollywood, but the problem with this aspiration is that I am not the only one, and the places on the market are not up to my standards (at least none of the ones I have seen) and I really don't want to pay New York City prices (because this is just a whole other philosophical discussion). Basically once you get a place in West Hollywood, you don't want to move for two main reasons, the neighborhood is adorably accomodating and RENT CONTROL (need I say more).
Until I find a place of my own, I will keep to the basics and repeat the following words:
Safe Chic Spaces
As a femme of le monde my standards are higher than most; I want to live in West Hollywood, but the problem with this aspiration is that I am not the only one, and the places on the market are not up to my standards (at least none of the ones I have seen) and I really don't want to pay New York City prices (because this is just a whole other philosophical discussion). Basically once you get a place in West Hollywood, you don't want to move for two main reasons, the neighborhood is adorably accomodating and RENT CONTROL (need I say more).
Until I find a place of my own, I will keep to the basics and repeat the following words:
Safe Chic Spaces
Friday, August 18, 2006
The Perfect Gift: The September Edition of VOGUE
Georgie is definitely a man after my own heart...
I'm moving to LA and he decided to get me the new VOGUE, you know the September issue, the huge 700-pager that covers the latest and greatest styles for the next two seasons to help keep my nerves under control during my long flight back to the left coast.
I was tempted to flip through it, but then I told myself....RESTRAIN, IT WILL BE WORTH IT
I'm moving to LA and he decided to get me the new VOGUE, you know the September issue, the huge 700-pager that covers the latest and greatest styles for the next two seasons to help keep my nerves under control during my long flight back to the left coast.
I was tempted to flip through it, but then I told myself....RESTRAIN, IT WILL BE WORTH IT
Tuesday, August 08, 2006
Thursday, August 03, 2006
Design over Location?
The cost of design...
In this case, it is more like the cost Real Estate and its three main principles:
Location
Location
Location
Basically any decent location in places like New York, Paris, London, Rome, Los Angeles and other metropolitan areas are just so coveted that it is really hard to find anything that is reasonable priced.
Is $3000 a month for a basic two-bedroom apartment with no living room in New York City obnoxious or what?
The worst part about it is the demand is high enough that developers see no reason why their supply should not exceed record prices. Nowadays, every price has to be over the top, even when the design is below par.
In this case, it is more like the cost Real Estate and its three main principles:
Location
Location
Location
Basically any decent location in places like New York, Paris, London, Rome, Los Angeles and other metropolitan areas are just so coveted that it is really hard to find anything that is reasonable priced.
Is $3000 a month for a basic two-bedroom apartment with no living room in New York City obnoxious or what?
The worst part about it is the demand is high enough that developers see no reason why their supply should not exceed record prices. Nowadays, every price has to be over the top, even when the design is below par.
Friday, July 28, 2006
Oreo Cookie Birth - The Place
I said I would follow-up, a little late, but I found it.
As it turns out, The Oreo was born in Manhattan, like many other legacies. According to one Nabisco employee, oreo cookies were first produced in 1912 at the National Biscuit Company facility in Chelsea.
As it turns out, The Oreo was born in Manhattan, like many other legacies. According to one Nabisco employee, oreo cookies were first produced in 1912 at the National Biscuit Company facility in Chelsea.
Monday, July 17, 2006
Monday, July 10, 2006
Pyramid its Legacy in Cancun
After cruising down the Hotel Lane in lovely Cancun there was no doubt in my mind that the Mayan pyramid has played a major role in the architectural designs of Cancun's finest buildings (all Hotels); many of which were destroyed in the fury of Hurricane Wilma in 2005.
The tourist moguls of Cancun capitalize and exploit the legacy of the Mayan people. The locals, which I found out where mainly implants from different parts of Mexico and the world (yes, there is a lot of migration to Cancun) survive on the backbone of tourism. Everything in Cancun is for the tourist, the American or Foreign tourist. It's about selling the product of paradise with a mix of a long forgotten past that they hardly know anything about, and if it weren't for the fact the images speak enough to incite most to pay a hefty sum for the sake of 'culture' they wouldn't make as much money as they do.
Now if they could only sell some decent Mexican food, I would go back more often.
The tourist moguls of Cancun capitalize and exploit the legacy of the Mayan people. The locals, which I found out where mainly implants from different parts of Mexico and the world (yes, there is a lot of migration to Cancun) survive on the backbone of tourism. Everything in Cancun is for the tourist, the American or Foreign tourist. It's about selling the product of paradise with a mix of a long forgotten past that they hardly know anything about, and if it weren't for the fact the images speak enough to incite most to pay a hefty sum for the sake of 'culture' they wouldn't make as much money as they do.
Now if they could only sell some decent Mexican food, I would go back more often.
Tuesday, June 13, 2006
Simple Design, Exhibit A: The Oreo Cookie
Talk about a minimalist design, the Oreo cookie, has one of the most popular cookies of all time. This past weekend, I was at little restaurant in the West Village that my friend Papi recommended and on its menu was a giant OREO under the desert section. It was a delicious home-baked OREO (well, restaurant-baked, but in New York it's basically the same thing).
Since then I learned that the Oreo debuted on March 6, 1912, wow that's almost a 100 years of Oreo cookies. I wonder what they are going to do for the centennial?
But, really back to the design, it is simple, and yet so successful, in my mind it is classic minimalist. It has two colors (black and white), two different materials; it makes a statement and is instantly recognizable. Let's face it, they are addictive.
Since then I learned that the Oreo debuted on March 6, 1912, wow that's almost a 100 years of Oreo cookies. I wonder what they are going to do for the centennial?
But, really back to the design, it is simple, and yet so successful, in my mind it is classic minimalist. It has two colors (black and white), two different materials; it makes a statement and is instantly recognizable. Let's face it, they are addictive.
Friday, June 02, 2006
The perfect piece: Architecture & Fashion
At times I wonder about myself:
I mean there are times when I set off on a mission with a particular design in mind. I don't always know where the concept came from because until just recently I use to not indulge in fashion magazines and or television. This is a recent new mental exercise.
I have come to the resolution that these concepts are a result of some innate curiosity and vision.
Obviously Fashion Designers and Architects have their own styles too; (for better or for worst) everyone does. People tend to pick and choose and then create accordingly. Otherwise, since all the manufactures gather every year and decide on the fabrics and hues of the moment, we would all be virtually wearing the same garments with different tags over our aggregated bodily shapes. And this would just be tragic, absolute Tragedy. As it is, at an every day level, variety is minimal and when there is variety it is not necessarily always better. Perfect example, the person that you see walking in a public place and think: Why? What were they thinking?
Two questions to consider:
Why do you wear what you wear?
Why do you live how you live?
I mean there are times when I set off on a mission with a particular design in mind. I don't always know where the concept came from because until just recently I use to not indulge in fashion magazines and or television. This is a recent new mental exercise.
I have come to the resolution that these concepts are a result of some innate curiosity and vision.
Obviously Fashion Designers and Architects have their own styles too; (for better or for worst) everyone does. People tend to pick and choose and then create accordingly. Otherwise, since all the manufactures gather every year and decide on the fabrics and hues of the moment, we would all be virtually wearing the same garments with different tags over our aggregated bodily shapes. And this would just be tragic, absolute Tragedy. As it is, at an every day level, variety is minimal and when there is variety it is not necessarily always better. Perfect example, the person that you see walking in a public place and think: Why? What were they thinking?
Two questions to consider:
Why do you wear what you wear?
Why do you live how you live?
Thursday, May 25, 2006
"Change me" Campaign ~ from Getty Images
I recently received an email from a good friend Edu. He constantly sends me the most random things.
Here is what the email said:
"I encourage you to engage in the artwork and participate.....
The "Change Me" campaign supports the effort to fight disease in the developing world using Getty's massive photo collection to draw public attention to Friends of the Global Fight. Visitors to a special web site ( www.gettyimages.com/changeme) can pick an image from Getty's library, write a caption about how the image is meaningful to them, and share it with friends. Getty will donate $10 for each caption submitted. The captions will appear online and may be selected for a traveling exhibition and a companion book."
I checked it out, and I thought there were some interesting pictures...it is definitely worth a view.
Here is what the email said:
"I encourage you to engage in the artwork and participate.....
The "Change Me" campaign supports the effort to fight disease in the developing world using Getty's massive photo collection to draw public attention to Friends of the Global Fight. Visitors to a special web site ( www.gettyimages.com/changeme) can pick an image from Getty's library, write a caption about how the image is meaningful to them, and share it with friends. Getty will donate $10 for each caption submitted. The captions will appear online and may be selected for a traveling exhibition and a companion book."
I checked it out, and I thought there were some interesting pictures...it is definitely worth a view.
Friday, May 19, 2006
Oh How I Love Thee ~ Frank Gehry
I like Frank Gehry.
I like Tiffany & Company.
And now Gehry is designing jewlery for Tiffany's.
Umm...
Each collection has great pieces.
They have classified them in six different motifs: Torque, Fish, Orchid, Fold, Equus and Axis
I love the cuff links from the Axis collection.
But it is so hard to pick from them all.
They all seem to incorporate his usual free form sculpture like concepts of his architecture.
I just want to play with them all.
I like Tiffany & Company.
And now Gehry is designing jewlery for Tiffany's.
Umm...
Each collection has great pieces.
They have classified them in six different motifs: Torque, Fish, Orchid, Fold, Equus and Axis
I love the cuff links from the Axis collection.
But it is so hard to pick from them all.
They all seem to incorporate his usual free form sculpture like concepts of his architecture.
I just want to play with them all.
Thursday, May 18, 2006
Spanish Rocks
Architecture by its very nature is grounded by its foundation in sediment of immobile terrains. You want to see architecture up close to get its complete monumental effect, you have to travel to it. Sure you can find pictures on the internet and sometimes some sites even have those cool nifty web tours, but it is really not the same. These voyeuristic mechanisms only help you make decisions on whether you should visit one place over another.
Architectural models and renderings on the other hand can travel. I am constantly amazed by the precision and craft behind models. Renderings are cool, but it’s more about computer projects than actual old-fashioned skills.
A few months ago there was an exhibit at the MOMA on Spanish Architecture. Most of the projects on display were either in the design stages or in the early stages of construction. Only a few were actually completed. But all I could think of as I took in each structure was how much I wanted to visit Spain and tour the country once all of these projects were completed. The draw was not just that the architects were very innovative with their designs, but the patrons and architectural functions also seemed to be of a need breed.
I'm already starting to plan a trip for 2009 to Spain. Maybe if I plan accordingly I will also hit up Dubai (most of its tallest structures should be completed by then as well)
Architectural models and renderings on the other hand can travel. I am constantly amazed by the precision and craft behind models. Renderings are cool, but it’s more about computer projects than actual old-fashioned skills.
A few months ago there was an exhibit at the MOMA on Spanish Architecture. Most of the projects on display were either in the design stages or in the early stages of construction. Only a few were actually completed. But all I could think of as I took in each structure was how much I wanted to visit Spain and tour the country once all of these projects were completed. The draw was not just that the architects were very innovative with their designs, but the patrons and architectural functions also seemed to be of a need breed.
I'm already starting to plan a trip for 2009 to Spain. Maybe if I plan accordingly I will also hit up Dubai (most of its tallest structures should be completed by then as well)
Monday, May 08, 2006
Johnny Goes West, or Not
It use to be that one traveled to the fashion Mecca’s of the world (Milan, Paris, New York, London) but now with the wings of transportation, commercialization and globalization have become a widespread reality and fashion travels to its new markets.
Granted there is still a purpose to travel for the sake of fashion (purchases). Certain locations get certain items first, and there is even highly coveted "exclusive" pieces that can only be purchased in particular parts of the world. But convenience or rather accessibility is the new mantra.
Perfect example: When I was in Miami I went to Tiffany's at Bal Harbour and they did not have the new Frank Gehry Collection (yet), the sales associate informed me that I could find what I was looking for in New York City and expect to see in their location by the Summer of 2006.
Major fashion houses are not just seeking out their piece of real estate on fashion strips around the world, they are also catering to consumers in a new way: they are traveling to them with an entourage. New wealth and talent in cities such as São Paolo, Sydney, Buenos Aires, Mumbai, Hong Kong, Tokyo and others have been attracting attention and have started playing hosts to fashion weeks and catwalks.
So now fashion travels to its customers as well, but it travels because it knows that people will spend; there are markets to be conquered.
Is this just another form of manifest destiny?
Granted there is still a purpose to travel for the sake of fashion (purchases). Certain locations get certain items first, and there is even highly coveted "exclusive" pieces that can only be purchased in particular parts of the world. But convenience or rather accessibility is the new mantra.
Perfect example: When I was in Miami I went to Tiffany's at Bal Harbour and they did not have the new Frank Gehry Collection (yet), the sales associate informed me that I could find what I was looking for in New York City and expect to see in their location by the Summer of 2006.
Major fashion houses are not just seeking out their piece of real estate on fashion strips around the world, they are also catering to consumers in a new way: they are traveling to them with an entourage. New wealth and talent in cities such as São Paolo, Sydney, Buenos Aires, Mumbai, Hong Kong, Tokyo and others have been attracting attention and have started playing hosts to fashion weeks and catwalks.
So now fashion travels to its customers as well, but it travels because it knows that people will spend; there are markets to be conquered.
Is this just another form of manifest destiny?
Friday, May 05, 2006
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